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onlineyogaforpregnancy · 1 year ago

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Embrace motherhood in confidence with Pregnancy 101

Pregnancy is a new journey for the woman to nurture her and her baby. Do not feel worried at all! Pregnancy 101 is here to motivate you to embrace yourself the way you are. For every woman, this experience is different. However, with us, this journey will be smooth. We are here to empower you to believe in yourself – You are stronger than ever. In this stage, it’s critical to keep your mind and body happy. Be stress-free and enjoy each day and each month to the fullest. Indulge yourself in the benefits of a rich diet and yoga. From offline to online classes, Pregnancy 101 has been crafted for your flexible schedules. Now you dont have to compromise on your comfort. “Pregnancy is a journey that teaches you to be patient, to be nurturing, and to put someone else’s needs before your own.” — Angela Kinsey.

Pregnancy exercise classes – Throughout centuries, yoga has proven to be a boon for mankind. Developed by ancient gurus, it is deeply rooted in providing healthy harmony. It not only helps with growth but helps to release happy hormones also called endorphins Each class is created that meets your needs and requirements. Led by trained teachers, they will support you in every stage. We focus on your mobility and flexibility and improve your cardiovascular health, muscle and fitness goals. Stay active and fit for healthy labor and natural delivery.

Prenatal yoga online classes –

We understand it might find it difficult to travel to our physical classes. Don’t worry, we got you covered. From the comfort of your home, you can enjoy the effectiveness of yoga and other exercises that will keep you energized. Step into the online prenatal exercise classes and immerse yourself in gentle movements – Keep you and your bundle of joy safe. Be prepared for your delivery day with adaptive yoga postures custom-curated for you. Join our classes at any time from anywhere.

Beginning its journey in the lands of Australia, today Pregnancy 101 has expanded its pathways to the cities of India. We have opened classes in Chandigarh, Ahmedabad and many other parts of this beautiful country. Founder Rita Singha has always wanted to build a wholesome community where mothers support other mothers and share their experiences. Prenatal and postnatal pregnancy classes are more than labor and childbirth it is about preparing your mind and soul for the entire journey.

Join our classes right here in Ahmedabad, made for you. It is a way to escape the hustle of the modern world. Whether you choose to enroll in physical or virtual classes, we never compromise on the quality of our sessions.

Improve Your Pregnancy Wellness with Pregnancy 101 – Your One Top Solution. We address all the problems you might face during this phase.

source: https://amazonseoservices.com/embrace-motherhood-in-confidence-with-pregnancy-101/

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drskids630 · 2 years ago

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Which preschools in India is best for kids

Introduction

There are many preschools in India, but some are better than others. Preschools in India can be expensive, and you want to make sure that your child gets the best education possible. The following is a list of the best

preschools in India:

Drs Kids

As a parent, you would love to send your child to the best preschool in Mumbai. It should be a place where he/she gets to learn and has fun at the same time. Drs Kids is one of the finest educational institutions in India with branches across Mumbai, Delhi and Goa.

Drs Kids-Preschool is located at Bandra East, Mumbai and has been providing quality education since 2013. The school offers two types of education — Pre-primary (1–2 years) & Primary (3–7 years). The curriculum followed by this preschool is based on Montessori Methodology which aims at developing children’s interests through practical learning experiences rather than just forcing them to memorize information repeatedly that does not make sense to them when they grow older! Children are given plenty of opportunities for self expression both verbally as well as physically through games with their friends during breaks from class hours too! Parents often come back proud saying how much their kids have learnt since joining Drs Kids Preschool because it’s not just about academics but also emotional development through creative activities like painting etc., which helps them become confident individuals who can face challenges head on later down life line too!

The Tree House School

The Tree House School is a preschool in Ahmedabad, India. The school has a unique concept of learning through play and encourages children to be creative as they learn. The school has many outdoor areas where children can play, learn new things and socialize with other children. In addition, the teachers at this preschool use teaching methods that are suitable for each child’s age group.

The Tree House School is very affordable compared to other preschools in the area because it offers discounts on tuition fees if you choose their monthly payment option instead of paying weekly or annually (for example).

This preschool has been around since 2001 and continues to grow year after year due to its high standards when it comes down to education standards for young learners.

Kangaroo Kids School

Kangaroo Kids School is a preschool in Mumbai. It has play school, pre-school and day care facility. Kangaroo Kids School is located in Andheri West, Mumbai

Podar Jumbo Kids Plus

Location

The school is in the western suburbs of Mumbai, in a posh area called Vikhroli. It’s not too far from the international airport and there are many good restaurants around. The school is just about a 10-minute drive from the airport and 20 minutes away from Thane railway station.

Special Features

With its own swimming pool and a small cricket ground for students to play, Podar Jumbo Kids Plus has a lot to offer children who want more than just education. A range of activities including dance classes, yoga classes and sports are scheduled throughout the week so kids can stay busy while they learn at this school.

Eurokids Preschool

Eurokids Preschool is a play-based preschool in Mumbai. The preschool has a large play area and it has been designed with children’s safety in mind. It also has separate rooms for indoor activities, art and crafts. The teachers at Eurokids Preschool are trained to handle children of all ages, including those with special needs or learning disabilities.

The curriculum includes both academics and activities that encourage creativity as well as physical development through movement, games and dance. They offer three types of courses: full day session from 9am until 3pm; half day session from 10am until 1pm or 2pm until 5pm; school holiday camps during vacations lasting for two weeks each time

Kidzee Preschool

Kidzee Preschools are a chain of preschools in India that have been around for 30 years. Kidzee Preschools are located in Delhi, Bangalore, Mumbai, Gurgaon and Noida. The cost of a semester of preschool at this school is about $1,500 USD which is much less than most other schools I looked into. The teachers at Kidzee have many years of experience teaching children between the ages 2 and 6 years old.

The good news is there are several other options for preschoolers in India besides Kidzee Preschools but they all seemed to be more expensive than this one so it’s more likely you could afford this option if you choose it over others.

AanganWadi Early Childhood Development Centre (AECDC)

The AanganWadi Early Childhood Development Centre (AECDC) is a preschools in India located in Mumbai, Maharashtra.

The school was established on June 30th, 2007 by Shri S. Gajananrao Patil and Smt. Jayashree Patil. It is a not-for-profit organization that aims to empower parents with the ability to make informed choices regarding their child’s education while enhancing opportunities for every child regardless of their race, caste or religion.

This school is committed to providing quality education from pre-school through grade 12 with a focus on English language proficiency at all levels of schooling including elementary school through high school graduation for all students regardless of age or disability status who enrolled as regular full-time day scholars on either half days or full days per week during regular school years without charging any fees except those required by law such as registration fees and textbook fees where applicable if any (which shall be payable only after admission confirmation letter has been issued).

A list of the best preschools in india

If you’re looking for the best preschools in India, there are a few things to keep in mind. First and foremost, it should be a play-based approach that focuses on learning through play. This means that children are playing with toys and engaging with their environment while they develop skills and competencies at their own pace. A play-based curriculum allows children to learn through exploration, rather than being told what to do or how to think about something — and it’s especially beneficial for language acquisition (which is why this is also considered pre-school). To make sure you find an institution like this one, look for schools that include games like blocks or Legos as part of their daily schedule.

Conclusion

We hope that this list of preschools will help you with your search for a good preschools in India, and we wish you the best of luck!

#best preschool in india #preschools in india #preschool in india #india

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statmodeller · 3 years ago

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*As you walk with the Guru, you walk in the light of existence, away from the darkness of ignorance. You leave behind all the problems of your life and move towards the peak experiences of life.*

*Happy Guru Purnima!*

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classyfoxdestiny · 3 years ago

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Excerpt: Regrets, None by Dolly Thakore

In July 1979, Rani Dube passed through Bombay. She’d brought Richard Attenborough with her. Richard’s long-cherished dream project, Gandhi, was close to realization. Rani was the co-producer, and she had brokered a meeting between Richard and Indira Gandhi. Mrs Gandhi had given the project her blessing and introduced the two of them to the National Film Development Corporation of India (NFDC)…

375pp, ₹599; HarperCollins

On the 25th of July, Rani brought Richard over to my apartment at around 3 in the afternoon. I was breastfeeding Quasar. We chatted for a while. The walls of our home, as ever, were covered with photographs from plays Alyque had directed. Talk turned to the theatre, to the BBC, to children and life. At half five, I rang Alyque to say, “Ahem, Richard Attenborough is here, and would you come home and we can all have dinner, because, you know, Richard Attenborough?”

I remember we went to Copper Chimney and had Kakori kebabs. But the moment Alyque walked in through the door, Richard turned to me and said, “That’s my Jinnah.”

Two days later, he rang me up.

“Dolly, it’s Richard,” he began. “We’re starting work on Gandhi, as you know. And I was wondering if you’d like to be the casting director?”

It was on the strength of the photographs and the long chat we had that day, about my years in the theatre and my work as a model coordinator and as a host. But mostly, I suspect, it was just a hunch.

I jumped at it. Although no one I knew really knew what ‘casting’ entailed. So, it was just like every other job I ever had.

By November of 1979, Quasar and I moved to the Ashoka Hotel in Delhi. We lived there for the next six months. I was casting director for Gandhi, but I was also the unit publicist and PR liaison.

Richard had already decided on his Gandhi: Ben Kingsley. He was going to cast all the white parts from Britain (and in the case of Martin Sheen and Candice Bergen, the US). I had to find all the Indian actors.

I also worked as a theatre critic at the time, and I watched almost every play on the boards, across the city. I spotted Rohini Hattangadi and called Richard in Delhi.

“There’s a young actress I want you to see,” I said.

“Kasturba?” he asked.

“Kasturba,” I agreed.

Richard was leaving Delhi for London that night. But he would stop in Bombay if he could meet this actress. Would I be able to take a room at the Airport Centaur? He’d nip out, see her and then go back across the street for his flight to London. International flights operated from the same terminal.

Rohini had a show that night. It was past 11.30 before she made it to the Centaur. Richard and I were sitting on the couch, and the moment Rohini walked in through the door, he clutched my thigh.

“This is it, Doll!” he whispered.

Richard had seen something intangible – a quality, an essence. He had a hunch about Rohini. She’d fit into his vision and further it. He could see her on screen. That was what casting was about. That was what one half of filmmaking was.

…”If she can lose about eleven kilos, that’s my Kasturba.”

This, then, was the other half of filmmaking: the journey from casting to the shoot. I rang Rohini the next day. Together, we went to see a Dr Vishnu Khakkar at Kemp’s Corner. He was a dietician…He examined Rohini, heard the brief and then told her that she could eat two chapattis and a bowl of dal for lunch and dinner, and nothing in between. And she had to walk for an hour and a half every day.

Rohini lived in Wadala at the time. Right or wrong, I was convinced that she might follow the dal-roti diet but, left to her own devices, there was no way she was going to take a walk every day. So she’d come to mine, we’d go to Vishnu’s office and lock ourselves into the second room. I’d sit in the chair and she’d walk around the table for an hour and a half. We did this every day for three weeks. She lost five kilos, and I called Richard with a progress report.

“Send her,” he said.

The delegation to London comprised Rohini, Smita Patil, Bhakti Barve and Naseeruddin Shah.

Smita Patil was very much the trendy pick. She was quite a big star by then. She was critically acclaimed and shared, in particular, a wonderful creative relationship with Shyam Benegal. But she wasn’t right for the role. She was too sultry, too aware, had too much spark for that version of that story. It would’ve been bad casting.

My pick – so much water under the bridge now – was actually Bhakti Barve. She was a fine actress. And I felt that she looked like Kasturba. That was enough to seal the deal in my mind.

Naseer’s trip was a political move. He’d made it clear that he was only interested in playing Gandhi. And Richard was set on Ben. But Naseer was a star, a name in the Bombay film industry, and Richard wanted to pitch a host of other parts to him – Nehru, in particular. Which shows how well he knew Naseer. Because that was never going to happen.

Money wasn’t a problem. We put this group of actors on a flight to London to shoot some tests. In fact Gandhi, as my first film, was a bit of a ruinous experience. The producers allowed – “empowered”, I think, is the right word – me to take decisions and paid for them without asking any questions. In other words, they trusted me to do the job they’d hired me to do. They delegated and left it at that; if I screwed up, that was completely my responsibility. No other job has come close.

Richard said ‘no’ to Naseer playing Gandhi. Naseer, in turn, said ‘no’ to Nehru. He wasn’t part of the film which – to this day – feels odd, given that I cast 498 Indian actors. A lot of people remember him being in the film! They’ve ghosted him in, because it feels logical that he would’ve been there. Naseer would have to wait about two decades to play Gandhi in Feroze Khan’s stage production.

Richard called from London to say that Rohini was his Kasturba. He loved her simplicity and naivety – things that are difficult to fake on screen.

The next step was to better her English. I got Kusum Haider to be her teacher in Delhi. I suppose that would be her ‘dialect coach’ in this day and age. Rohini was a model pupil. She maintained her diet and her exercise routine, and she was serious about her English lessons and the spinning class she took with Ben.

Wait. What I mean is that both Rohini and Ben learnt how to weave cotton. They weren’t on exercise bikes, peddling madly.

One of the major criticisms at the time was that Ben Kingsley was too ‘muscular’ to play Gandhi. Ben did all he could to remedy that. He was on a strict diet, and he did a lot of yoga. When he arrived in India, we removed all the furniture from his hotel room so he had to sit and sleep on the floor. The walls were covered with pictures of the Mahatma.

The backlash to the casting decision was inevitable. We were always going to have to confront the question: How could a foreigner play Gandhi? Bizarrely, the makers of ‘parallel cinema’ were the only ones who raised the issue. They showed up on the first day of shoot, waving black flags. I spotted my friend Shama Zaidi amongst the picketers. On our side of the fence was Govind Nihalani, one of the leading lights of the parallel movement but also our second unit cameraman. The protests were orderly. No one ran around breaking things; there were a number of write-ups and opinion pieces. Richard was polite, but firm – Ben Kingsley was his Gandhi. All said and done, Ben was of Indian stock. His grandfather had migrated from India. I mean, we were really straining the boundaries of credibility with his Indian ancestry, and everyone knew it. But we had Mrs Gandhi’s backing. Doors opened for us, trains ran on time and locations were a cinch. Gandhiji’s contemporaries, Ramkrishna Bajaj and Bharat Ram, were closely involved. The NFDC had given us nine crores.

The protests made it to the newspapers and were duly praised; the film rumbled on.

At the pre-shoot party for the Indo-British unit, Roy Button turned to Kamal Swaroop, both third ADs, and asked for a glass of water. Kamal replied, “The Raj went a long time ago.” That was about it for on-set strife.

Would we get to make it the same way again? Today? With a British director and a British lead? I don’t know. That’s dinnertime conversation. Would they get to make Apocalypse Now the same way?

We rolled on the 26th of November 1979. And it really was an army on the move. It had taken Richard decades to get to that moment, and you could see how much it meant to him, because every single minute on that production had been accounted for. People knew exactly what they were supposed to be doing.

Amal and Nissar Allana worked as set decorators. Their universe ranged from trains to cars to jewellery, costumes, shoes. Every detail had a separate team, and all roads led back to Richard – casting meetings, production meetings, lighting meetings, script meetings. And somewhere within that maelstrom, Richard found time to concentrate on the performances, to create a work of great integrity and beauty that has stood the test of time.

We shot in Porbandar, Bombay, Pune. Never Ahmedabad. The scenes set in South Africa were shot in Okhla. The shot of Gandhi silently giving a poor woman his safa by letting it drift across to her in the river was shot in Udaipur.

…In a strange way, I became the doorkeeper for the production. The outside world had to get through me before they got to the film, for anything. The requests ranged from the routine to the ridiculous. Everyone wanted a slice of the pie: producers, hangers-on, friends, politicians. People wanted to visit the set. People wanted to meet the actors. People wanted a say on the screenplay.

We were lucky that Richard had been dealing directly with Mrs Gandhi. That meant we could be firm. Sometimes, we just had to buy peace. Ben occasionally wanted a beer at the end of a day’s work, and we had to ensure he wasn’t seen by the press. We’d already had one headline: ‘Ben Kingsley, Gandhi, drinking beer.’ He was also an attractive man in the middle of a career-defining performance, so we had to shield him from the ladies. If he did stop to speak to someone, the press couldn’t get wind of it. For a while, I was his minder in the modern sense – the advance party, the bodyguard, the person pulling strings, just out of shot.

It was an exhilarating time, but it was bloody hard work. Luckily, Richard and I had found our wavelength early with Kasturba, and I had a strong sense of what he was looking for.

My old friend Roshan Seth played Nehru. We’d tested Victor Banerjee as well but Roshan had the sophistication of Nehru and won hands down.

…

Dolly Thakore with her son Quasar Thakore-Padamsee (L) and Alyque Padamsee (Courtesy the publisher)

Richard cast Saeed Jaffrey as Sardar Patel. I didn’t agree with that call. I still don’t. He just wasn’t right for the role. Harsh Nayyar played Godse. He was another Indian actor from the West (America or England, I forget) who wrote to Richard and won the part.

I had a hand in everything else. From Supriya Pathak to Neena Gupta, and Om Puri (God rest his soul, that brilliant, brilliant man) to Shekhar Chatterjee, who played Suhrawardy and whom I’d spotted in Calcutta. I mostly cast actors from the theatre. I mentioned Bhanu Athaiya to Richard, and she went on to win the Academy Award for costume design. She was a very well-established designer before Gandhi. What I loved, though, was her mumbled complaint at one point, “All I’m making is kurta pyjamas.” But then, that’s all the Congress leaders wore at that time, with the sole exception of Jinnah, who had some rather excellent suits. Alyque was hopeful that he’d get to keep his clothes from the shoot and was most disappointed when they were on the next flight to England.

Of course, when Bhanu won the Oscar, it was all “… yes, Jodhpuri pyjamas but, you know, I had to cut them in a very specific way.” Ah, show-business.

…The Indian premier was at Regal. I can confirm that Indira Gandhi did not, in fact, attend. At the time, I thought it the most exhilarating moment of my life, the crowning glory. With the passage of years, I’ve gained a little perspective. But that film taught me so much and gave me a set of memories I’ll never forget, some of them the proudest of my career. …And that funeral scene – one of the greatest ever filmed.

It went to the Oscars and won so many awards. But, by then, it was a British film, Richard’s film, and seemed very far away indeed.

Richard and I remained friends until his death in 2014. Ben Kingsley visited India again in 1990, and I had everyone over for a meal at my house. It was lovely. He’s now a Knight of the Realm. And I hear he prefers to be called ‘Sir Ben’.

I’m glad I was there; I’m glad I was part of it.

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exhaleyogaschool · 4 years ago

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gokul2181 · 4 years ago

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When a musician met the Mahatma

New Post has been published on https://jordarnews.in/when-a-musician-met-the-mahatma/

When a musician met the Mahatma

What is needed for art is to have the heart for it, said Bapu to Dilip Kumar Roy, who sang for him in a Pune hospital

Mahadev Desai, secretary to Mahatma Gandhi from 1917, when he first met Bapu, until his death in 1942, kept a diary of daily happenings in the life of the Mahatma. It is not a simple mention of events but a detailed record of every word spoken and written by Gandhi. One such entry in the diary shows what music meant to the man who led India’s freedom struggle.

Mahatma Gandhi with Mahadev Desai

Well-known musician Dilip Kumar Roy visited Bapu on February 2, 1924 at the Sasoon Hospital, Pune, where he had been shifted from Yerwada jail for an emergency appendix surgery. Desai notes in the diary: “It must have been about 8 p.m. when Sri Dilip Kumar Roy came. He had brought with him his sitar. Sitting on the sofa opposite Gandhi’s bed he sang, ‘Deendayala Gopala Hari.’

Moving rendition

The devotion in the bhajan and the soulful voice of the singer lifted the spirits of everyone around. Roy then sang the popular Meera bhajan, ‘Chakar Rakhoji’.

M.S. Subbulakshmi with Dilipkumar Roy

Desai writes: “All of us were ‘dancing on Love’s blue rill’ — that was the effect the performance produced. Profound silence prevailed for a while. Dilip Kumar Roy then touched a contentious topic. “I feel Mahatmaji, he said, ‘that our beautiful music has been sadly neglected in our schools and colleges.’”

“It has — unfortunately,” Bapu agreed. “I have always said so.”

“I am very glad to hear this, Mahatmaji,” said Roy, “because, to be frank, I was under the impression that art has no place in the gospel of your austere life. I had often pictured you as a dread saint who was positively against music.”

“Against music! I…!” exclaimed Bapu. “Well, I know,” he added , “there are so many superstitions rife about me that it has now become almost impossible for me to overtake those who have been spreading them.”

“I feel so relieved, Mahatmaji,” Roy laughed, “but may not your asceticism be somewhat responsible for such popular misconceptions? People would find it difficult to reconcile asceticism with art.”

“But I do maintain that asceticism is the greatest of all arts,” said Bapu. “And to think that I should be dubbed an enemy to an art like music because I favour asceticism! I, who cannot even conceive of the evolution of India’s religious life without her music! But indeed, I fail to see anything that passes much for art in these days. What is needed for art is to have the heart for it, not any intimate knowledge of technique or training. In my ashram we do not have art on the walls. Nature suffices for my inspiration.”

Roy agreed: “Yes. What man in his senses will claim that the artist’s handiwork is greater than life’s?”

Then Bapu, changing the Gita’s aphorism ‘Yogah Karmasu Kaushalam’ (yoga is skill in action), concluded: “Life must immensely exceed all the arts put together. For what is this hot house art plant of yours without the life, soul and background of a steady worthy life? What after all does that art amount to which all the time stultifies life instead of elevating it? No. Art has a place in life, but art is not life. Life, on the contrary, is art. Art should be subservient to life. It should act as its handmaid. Not master. It should be alive in life and the universe.”

Letter to Tagore

Art is life, said the Mahatma and earlier, in a letter to Rabindranath Tagore, he had suggested giving both Hindustani and Western classical music a place in Shantiniketan along with Bengali music.

Mahatma Gandhi with Rabindranath Tagore at Shantiniketan

When Gandhi was in South Africa, he had started evening prayers in the ashram. That collection of bhajans was published under the name, ‘Nitivam Kavyo.’ His idea of music was also connected to spirituality. In this context, he wrote a letter to Pt. Narayan Moreshwar Khare (music teacher at Satyagraha Ashram, Sabarmati) on October 7, 1924. “I have gradually come to look upon music as a means of spiritual development. Please try your best to see that all of us sing our Bhajans with a correct understanding of the sense.”

At Ahmedabad, in his address to Young India, on April 15, 1926 he had stated, “If many more people send their children to the music class it will be part of their contribution to national uplift.” According to the Mahatma: “In true music, there is no place for communal differences and hostility.”

The writer is a cultural activist and Gandhian scholar.

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zanderson48 · 5 years ago

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Well, procrastination and lots of traveling have gotten the best of me so here is my summary from essentially all of October:

Manali (Photos 1&2): Right after returning from my school trip to Ahmedabad and Gujarat I embarked on a long-weekend solo adventure to Manali. After a twisting and turning 14hr mountain bus ride I made it to “India’s Mountain Bike Capital”. Given this I really had only one goal for the weekend: to bike as much as possible. Delhi has often made me feel restricted and this escape to the mountains was just what I needed. Although, home to really only one real trail I managed to have two decent days of riding around the town. On top of this, I ate great food at Dylan’s Toasted and Roasted (a Bob Dylan themed cafe) and Tibetan food at Chopstick’s Restaurant. I also made friends with Naveen, owner of the Himalayan bike bar, and I would recommend him and his shop to anyone interested in biking in India.

Delhi: I came home from Manali for about a week and a half of school before embarking on more explorations. However, this short time back in the city allowed me to get back on the field with my friends for Wednesday and Sunday night soccer. I didn’t know then, but, the picture above was probably my last match in Delhi (thanks air pollution...). I also had the chance to grab dinner with my Indian Fulbright friends (Abby, Natasha, and Narayan) who were in Delhi for a few days for mid-year training.

Darjeeling (photos 4 and 5): On the 18th, I left Delhi again for leg one of my final big trip in India to Darjeeling, Kolkata, and Sunderbans, and this time I wasn’t traveling alone. Mary Buford offered to join me as part of her own trip in India. We spend 4 days in Darjeeling touring tea estates, drinking tea, going to museums, eating great food, biking, watching sunrises, and generally exploring Darjeeling. I think we drank over 20 different types of tea, and I am thoroughly sold on the statement that tea from Darjeeling is the “champagne of teas” or as I read in a tea book, maybe champagne is the Darjeeling tea of wine. Anyways, besides tea, I really loved Darjeeling for the Tibetan Buddist influence including many temples and stupas and a museum all about Tibet with items from the Dalai Lama. Also, Darjeeling has a very rich mountaineering history, including being home to Tenzing Norgay, who made the first ascent of Everest with Sir Edmund Hillary in 1953. I happened upon a copy of Tenzing’s autobiography and, I would highly recommend it if you have any interest in mountaineering or mountaineering history. Darjeeling is also home to the Himalayan Mountaineering Institute, which Tenzing became the director of, which has a great museum also.

Kolkata: We made our way south from Darjeeling to Kolkata, which was my first visit to an Indian megalopolis beyond Delhi. Kolkata felt distinctly more colonial than Delhi, which isn’t surprising given the fact that it was the capital for the British (As shown by the palace dedicated to Queen Victoria in photo 6). We explored Kolkata for a day and had great Bengali food, however, Kolkata was really just a jumping-off point for Sunderbans.

Sunderbans: This mangrove forest shared by India and Bangladesh is the largest mangrove tiger habitat in the world and home to 80+ tigers. We signed up for a day-long tour with hopes to maybe get lucky and see a tiger (despite there being a lot of tigers in this area, they are very rarely seen). Our trip began with an adventure as we had to navigate around a broken-down truck that shut down the only road and stopped an entire village. However, we made it to the boat (photo 7) and had a great cruise around Sunderbans. We saw many kingfishers and deer, but sadly no tigers. It was a good adventure nonetheless.

Delhi: We went back to Delhi for one day so that I could attend my school's Annual Day function: a celebration of all the achievements of the school and the students over the past year. It was quite the show and the dances, songs, and theatrical performances were great. It was really fun to see my students outside of the classroom setting!

Rishikesh: After Annual Day, Mary Buford and I set out north to Rishikesh to escape the Delhi pollution for Diwali. Rishikesh is known as the yoga capital of the world and is famous due to the fact that the Beatles came here to study meditation and write almost the entire White Album in the late 1960s. Rishikesh was by far the most touristy place I have been in India and maybe this is just due to my visits to other places being during offseason. However, walking around Laxman Jhula felt as if I was walking around Brooklyn. Here men with dreads and yoga teachers from all over the world eat smoothie bowls and invite you to their Ashram to align your chakras. In many ways, it felt a lot like my time in northern Thailand. However, we were able to escape the Whole Foodies and explore around Rishikesh hiking to a waterfall and different temples. Although I will admit the cafes were all very good, even it did feel like I was in a hipster Whole Foods enclave.

So now that I am back in Delhi, my big travels in India are over. I am wrapping up all my work here at school this week and early next week, and Mary Buford is off to explore Agra and Rajasthan. I will add more pictures that I couldn’t fit in this post shortly.

As I get ready to head back to the US I will post some concluding thoughts about my time in India and start looking forward to what is to come in Malaysia. However, right now all I am dreaming of is some clean air!

Best,

Zack

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asanyoga-blog · 8 years ago

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